Trick or Treaters get treated to some Sol Lewitt
A few weeks ago I took students from a printmaking elective I'm currently teaching at Maine College of Art called "Gathering Influences: Collecting, Collections, Collectors, Collectibles" to visit the remarkable collection held by Bruce Brown of Portland, Maine. I am encouraging (or more accurately requiring) these students to collect art themselves, something many of us do not think we can afford. Brown began his remarkable collection (exhibited at the
Portland Museum of Art) in 1987 on a public school teacher salary. He collects both national and internationally renowned artists as well as the work of emerging local and regional artists, festooning his home with a fragment of his rich collection.

Brown shows Anna Hepler's "Whorl"

Hepler's "Whorl" was editioned at Tamarind Lithography
Bruce showed us dozens of prints and work in other media, all the while regaling us with stories that revealed his strong connections to each piece and many of the artists. The students were amazed to see someone living with so much art and were gratified to learn that someone like Bruce exists.

Brown shows Hamish Fulton print to adoring crowd
These students are currently working on a covered slip case sructure to house an exchange portfolio around themes of collecting. To thank Bruce Brown for opening his home to us to share his collection, we plan to give him a copy of this portfolio. Other recipients of the boxed set will be an artist who gave us a great slide talk, Lauren Fensterstock, whose work strongly relates to Cabinets of Curiosity, and Marilynn Gelfman Karp, author of In Flagrante Collecto: Caught in the Act of Collecting. Gelfman Karp lectured at MECA in October and critiqued germs of new collections the students began in response to an assignment Gelfman Karp gave them to amass a collection of something no one else collects. Below are two images of a discussion of sophomore Luc Collette's Collection of Spills.

Marilynn Gelfman Karp shares her passion for collecting

students peruse collection of spills by MECA sophomore Luc Collette
Main Entry: phys·i·cal·i·ty
Pronunciation: \fi-zi-ka-li-ti\
Function: noun
Inflected Form(s): plural phys·i·cal·i·ties
Date: 1660
1 : intensely physical orientation : predominance of the physical usually at the expense of the mental, spiritual, or social 2 : a physical aspect or quality
"physicality." Merriam-Webster Online Dictionary. 2008.
Merriam-Webster Online. 14 November 2008
http://www.merriam-webster.com/dictionary/physicality
Text on print:
"I had this old etching plate in the studio for a long time. Every time I saw it I felt uncomfortable because it was empty and dull. I always intended to mark it and finally I couldn't bear it any longer and attached it to the bed of a Start Rite panel saw so that the operator marked it with the wood as he worked. I am not sure, but I think it has something to do with art and its perpetual referencing back to itself." Denise Hawrysio
“Denise Hawrysio has worked in many media over the past twenty-five years, including film, video and installation. Throughout that period she has also pursued the conceptual possibilities of printmaking, especially in relation to her notion of site-specificity. Hawrysio produces her prints by employing external agents, both human and physical (such as cars driving over etching plates). The prints are a collaboration between the artist and the world as she finds it; the actions and motions of Hawrysio's surroundings leave their mark on her art, with the result that each print is a still, a frozen interface between the materials of art and the physicality of the world.
Excerpts from: www.sfu.ca/artgallery/0704hawrysio.html

Hell yeah it is! This ain't no rant - this is raw passion, baby!
http://www.youtube.com/watch?v=VpAuDrs5ocg